Barry Manilow
Barry Alan Pincus
BORN: June 17, 1946, Brooklyn, NY
In terms of both record sales and career longevity, Barry Manilow is one
of the most successful adult contemporary singers ever. That success hasn't
necessarily translated to respect (or even ironic hipster appreciation) in
most quarters; Manilow's music has been much maligned by critics and listeners
alike, particularly the romantic ballads that made his career, which were
derided as maudlin schlock even during his heyday. It's true that Manilow's
taste for swelling choruses and lush arrangements often bordered on bombastic,
but unlike many of his MOR peers, Manilow wasn't aiming to make smooth, restrained
background music -- he conceived of himself as a pop entertainer and all-around
showman in the classic mold, and his performances and stage shows were accordingly
theatrical. Manilow dominated pop music during the latter half of the '70s
like few other performers, spinning off a long series of hit singles (including
13 number-one hits on the adult contemporary charts) and platinum albums
that essentially made the Arista label. The well began to run dry by the
early '80s; no longer a superstar expected to deliver blockbuster hits, Manilow
was free to explore his long-held taste for swing, pop standards, and Broadway
show tunes, which dominated his albums from the mid-'80s on. He has continued
to record steadily, and his popularity never completely eroded, as evidenced
by the number three chart debut of his 2002 greatest-hits package, Ultimate
Manilow.
Barry Manilow was born Barry Alan Pincus on June 17, 1946, in Brooklyn, and
grew up in its low-income Williamsburg section. His father left the family
when Barry was two, and he eventually adopted his mother's maiden name of
Manilow. He began playing piano and accordion at age seven, and following
high school, he was accepted to the prestigious Juilliard School of Music,
which he paid for by working in the CBS mail room. From there, he became
musical director of the CBS show Callback, and supported himself for the
next few years by writing, producing, and performing advertising jingles
(including high-profile campaigns for State Farm, Dr. Pepper, McDonald's,
Kentucky Fried Chicken, and more). In 1971, he met Bette Midler, who hired
him as her pianist, arranger, and musical director; he served as her accompanist
on her legendary pre-fame tour of New York City's gay bathhouses, masterminded
her first two albums (1972's The Divine Miss M and its self-titled follow-up),
and debuted some of his original material at her Carnegie Hall show in the
summer of 1972. Thanks to his gig with Midler, Manilow was able to land a
record deal of his own with the fledgling Bell label, and his debut album
Barry Manilow I was released in 1973. It didn't sell very well, and when
Bell became Arista, label head Clive Davis asked Manilow to record a pop
tune called "Brandy," which had been a U.K. hit for its co-writer Scott English.
Manilow changed the song into a ballad and changed the title to "Mandy" (to
avoid confusion with the Looking Glass hit "Brandy (You're a Fine Girl)");
released on 1974's Barry Manilow II, "Mandy" became a number-one hit early
the next year. The Broadway-esque follow-up "It's a Miracle" hit the Top
20, and a re-release of the Chopin-adapted ballad "Could It Be Magic" (from
the first album) hit the Top Ten.
With his career thus established, Manilow recorded an even stronger follow-up
album in 1975's Tryin' to Get the Feeling. "I Write the Songs" (ironically,
written by Beach Boys sideman Bruce Johnston) became his second number-one
pop hit in early 1976, and with the title track also hitting the Top Ten,
the album went triple platinum. Manilow consolidated his emerging stardom
with This One's for You, released toward the end of the year; it produced
hits in the title track, the Top Ten "Weekend in New England," and the number
one "Looks Like We Made It." In 1977, Manilow released the concert double-LP
Live, which became his first and only number-one album, as well as his biggest
hit with sales of over four million copies. The same year, he won an Emmy
for his first prime-time special on ABC (aptly titled The Barry Manilow Special);
the network would air Manilow specials for the next several years. 1978's
Even Now was another triple-platinum success; "Can't Smile Without You,"
the disco-tinged "Copacabana," and "Somewhere in the Night" all hit the Top
Ten, with the first two marking a departure from Manilow's typical reliance
on ballads for his hits.
The first signs that Manilow's run of success was in jeopardy came on 1979's
One Voice, which -- although it sold well and produced a Top Ten hit in an
unlikely cover of former Mott the Hoople frontman Ian Hunter's "Ships" --
didn't have the same consistency of craftsmanship as its predecessors. 1980's
Barry spawned Manilow's last Top Ten hit, "I Made It Through the Rain"; though
he remained a massively popular international touring act, and continued
to place hits on the adult contemporary charts for a few more years, the
prime of his pop success was over. In 1984, Manilow officially changed direction,
recording an album of swinging, jazzy originals called 2:00 A.M. Paradise
Cafe; it featured jazz greats like Mel Tormé, Sarah Vaughan, Shelly
Manne, and Gerry Mulligan. Subsequent ventures like 1987's Swing Street,
1991's Showstoppers, 1994's Singin' With the Big Bands, and 1998's Manilow
Sings Sinatra all explored various facets of swing, vocal jazz, and traditional
pop. In addition, Manilow's stage musical Barry Manilow's Copacabana: The
Musical premiered in 1994, and continued to tour the U.S. and U.K.; another
musical, Harmony, was premiered in 1999. Manilow's long relationship with
Arista ended when he signed to the jazz-oriented Concord label, for which
he debuted in late 2001 with the concept album Here at the Mayflower, which
continued his evolution into a pre-rock pop stylist. Manilow began to re-enter
the wider public eye in 2002, performing "Let Freedom Ring" at the Super
Bowl pre-game show; aided by television advertising, his first (incredibly)
single-disc hits compilation, Ultimate Manilow, entered the album charts
at a stunning number three position that March. ~ Steve Huey, All Music Guide