Creep
Yamaha DGX670 #x-#.#
Category P# Style
Tempo: ###
Ending: ???
Radiohead (1993)

When you were here before, couldn't look you in the eye
You're just like an angel, your skin makes me cry
You float like a feather in a beautiful world
I wish I was special, you're so fuckin' special

But I'm a creep, I'm a weirdo
What the hell am I doin' here?
I don't belong here

I don't care if it hurts, I wanna have control
I want a perfect body, I want a perfect soul
I want you to notice when I'm not around
So fuckin' special, I wish I was special

But I'm a creep, I'm a weirdo
What the hell am I doin' here?
I don't belong here
Oh-oh, oh-oh

She's running out the door
She's running out
She run, run, run, run
Run

Whatever makes you happy, whatever you want
You're so fuckin' special, I wish I was special
But I'm a creep, I'm a weirdo
What the hell am I doin' here?
I don't belong here
I don't belong here

Sheet Music




Radiohead had not planned to release "Creep", and recorded it at the suggestion of the producers while they were working on other songs. They took elements from the 1972 song "The Air That I Breathe" by Albert Hammond and Mike Hazlewood. Following legal action, Hammond and Hazlewood were credited as co-writers. It was initially unsuccessful as a single, but achieved radio play in Israel and became popular on American alternative rock radio. Rolling Stone later named "Creep" one of the greatest debut singles and included it in the 2021 and 2024 editions of its "500 Greatest Songs of All Time".

"Creep" remains Radiohead's most successful single. It has been covered by numerous artists: Adam Lambert, Postmodern Jukebox, Korn, Weezer, Damien Rice, Amanda Palmer, Moby, Kelly Clarkson, Arlo Parks, Olivia Rodrigo, and Ernest.

The chord progression and melody in "Creep" are similar to those of the 1972 song "The Air That I Breathe", written by Albert Hammond and Mike Hazlewood. After Rondor Music, the publisher of "The Air That I Breathe", took legal action, Hammond and Hazlewood received cowriting credits and a percentage of the royalties. Hammond said Radiohead were honest about having reused the composition, and so he and Hazlewood accepted only a small part of the royalties