Mexicali Rose, stop crying;
I'll come back to you some sunny day.
Ev'ry night you know that I'll be pining,
Ev'ry hour or year while I'm away.
Dry those big brown eyes and smile dear,
Banish all those tears and please don't cry.
Kiss me once again and hold me;
Mexicali Rose goodbye.
I'll come back to you some sunny day.
Ev'ry hour or year while I'm away.
Dry those big brown eyes and smile dear,
Banish all those tears - please don't cry.
Kiss me once again and hold me;
Mexicali Rose goodbye.
Words & Music by Helen Stone & Jack B. Tenney
Recorded by Bing Crosby, 1938 (#3)
Also recorded by Gene Autry, 1939, in the movie
"Mexicali Rose"
Who was Mexicali Rose? Jack Tenney, ex-California legislator and composer
of that timeless Spanish waltz he named Mexicali Rose, said you would have
to go back to the early days of Mexicali to answer that question. The dry
laws of prohibition in Mexicali´s twin city of Calexico began in 1902...20
years before prohibition began in the rest of the United States. The following
newspaper story was circulated on the American side of the border, and with
an imperial County dateline: "The saloon is not wanted in the new town of
Imperial, in that part of the country once known as the Colorado Desert."
There had been two or three "floating" saloons in and out of Calexico (emigrant
wagons with bountiful supplies of whiskey). These floating saloons were ordered
to move on. Finally, at the urging of Imperial Valley citizens, PROHIBITION
came to Calexico in 1902. So the thirsty men crossed the border into Mexicali
and it became a boomtown. The Cactus-Patch town that Mexicali was then had
a bar. Business was conducted on a mesquite-plank for the purpose of dispensing
mescal and tequila, as early as 1902. Nearby California towns emptied their
undesirables into Mexicali. Gamblers, "soiled" doves from the red-light district,
horse-racing entrepreneurs, and "finish" boxing matches- all outlawed in California,
came to Mexicali. The town flourished with the patronage of men working on
the cotton plantations. When the Southern Pacific Railroad´s branch
from Imperial to Calexico was completed in 1904, Mexicali became the playground
of the valley. The rougher element gathered weekly for boisterous drinking
and carousing. Then the Mesquite tree jail where prisoners were tied and
chained to the tree, became equipped to handle the problem. The Owl Cafe
and Dance Hall finally came to Mexicali in 1913. It was run by Marvin Allen.
High rolling was barely under way at the Owl when the June 1915 earthquake
leveled the place. It was quickly rebuilt and called The Owl Theater. It was
a gambling hall par excellence. Men crowded around and blackjack tables, and
the air was thick with smoke...the drawling voices of the dealers, "All bets
down, gents." The rattle of the little ball and the girls dancing with whoever
asked them. The men paid $1 a dance and the music was good.The town was a
growin´ the money was a flowin´ and the boys were throwin´
it around. In 1920, when prohibition was about one month old there was a devastating
fire. People poured in from every vantage point to watch the club burn. But
before the ashes cooled, plans for a new building were drawn up for a bigger
and better new Owl. It was 1921 when Jack Tenney was offered a job playing
piano at the New Owl. The club was complete with dance floor, and orchestra
platform and a seven-piece band. Tenney became not only piano player but
leader of the orchestra. Not long afterwards business slacked off and Tenney
went to work at a place called the "Imperial Cabaret." It was there he wrote
his famous melody which he called "The Waltz." The song was written without
lyrics. It eventually was called "Mexicali Rose." People came to believe
that the song had been named after one of the dance hall girls with a dubious
reputation, who was the inspiration for the song. Her name was Rose Erskine.
Jack Tenney always denied this assumption. Later on in his career, Tenney
insisted that the naming of his lovely "Waltz" was a joke. "There was an
old lady who ran a boarding house in Brawley. Every 30 days when the railroad
men were paid, she came to Mexicali. We´d play the waltz for her, and
she´d sit around drinking and crying. She must have been 50 or 60 years
old and weighed 200 pounds. I don´t know what her name was but Jack
Hazelip, my saxophone player called her Mexicali Rose. I already had the
tune and we started fiddling around with the words as a result of watching
her cry."
Mexicali Rose, stop crying,
I´ll come back to you some sunny day.
Called-every night you know that I´ll be pining,
Every hour a year when I´m away.
Dry those big brown eyes and smile, dear
Banish all those tears and please don´t cry.
Kiss me once again, and hold me.
Mexicali Rose, goodbye.
In the years that followed the writing of the song, movie stars made "Mexicali
Rose" famous. Bing Crosby made a recording which put it on the "Hit Parade."
Barbara Stanwyck starred in a movie of the same name. It was also the title
of a Gene Autry movie in 1939. Then, Mexicali Rose and Jack Tenney took very
different paths. Tenney went to law school , became a lawyer and in 1936 was
elected to the California State Legislature